![]() This approach, abundant across Sinclair’s visual and music style, offers a more accurate mode for self-expression, whether for signaling facial gestures during live performance or recalling an overwhelming and isolated after-hours during the pandemic quarantine. Foremost is understanding exaggeration and absurdity outside a politically subversive means. It’s no surprise this hyperbolic and infectious approach to UK club music earned her a release on Hyperdub, the label she’ll perform alongside at Lunchmeat Festival in Prague that runs from September 27 to October 2, 2021.ĭespite a febrile attempt to gain perspective on her nearly 10-year tenure in the United Kingdom’s electronic music circuit, our conversation enters a different set of principles underpinning her work. Her maximalist production on ‘That Hyde Trakk’-released on Triangle Records under the previous alias LOFT-and edit of Kryptic Minds’ 2013 single ‘Badman VIP’ showcases the mania-driven dance through a variety of complexions. Wherein deeply rooted foundations define grime, dub, and drum-n-bass, aya takes these genres to the extreme. Frenzied synths and snappy drum rolls, usually packaged in meme-worthy cover art, provide a glimpse into the Manchester-based artist’s world, where self-actualizing fun takes priority over adhering to club music conventions. A first listen into Aya Sinclair’s (aka aya) discography immediately reveals her lawless interpretations of dance music.
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